Photographed by Antonio Eugenio.
His favourite perfume, something on grooming or shaving, a smart candle for his office…Here are 7 gift ideas express to mark the coup with his half February 14.
NARCISO RODRIGUEZ : FOR HIM BLUE NOIR EDP 50ML+SHOWER GEL 200ML
TOM FORD: TF NOIR AFTER SHAVE BALM 75ml
MOLTON BROWN LONDON: RUSSIAN LEATHER SINGLE WICK CANDLE
CLINIQUE: CLINIQUE FOR MEN MOISTURIZING LOTION 100ML
“I do think that the political climate has influenced my designs,” Tom Ford admitted after his show at the Park Avenue Armory on Wednesday evening, the first of the ready-to-wear season. “I don’t mean that I wanted to do something in reaction to it, but I feel beaten up; worn out. I don’t want to look at aggressive clothes. I want to look at something beautiful and soft and pared down a bit.”
His AW19 collections consists of a sellection of rollencks, satins and tailoring on its best. Modern pieces with a nostalgic mood and minimal lines come to constrast with the very specific puffy jackets and coats.
Set in Los Angeles, the campaign’s scenes of life and love outside of social conformism embody the fragrances Gucci Guilty Pour Home and Gucci Guilty Pour Femme.
Starring JARED LETO and LANA DEL REY
Gucci Guilty Pour Homme
An Aromatic Fougère, the original Gucci Guilty Pour Homme eau de toilette enters a new chapter, embodying the free spirit of a new generation of scent lovers. Individual, yet fusing together naturally, the men's and women's perfumes embody a declaration of self-expression and fearlessness, conjured up by the statement #ForeverGuilty.
Watch the campaign:
Discover the new Gucci Guilty Homme online
When high performance streetwear meets minimalistic design the result is so… Victoria!
Introducing the Reebok x Victoria Beckham collection, mixing the relaxed demeanour of elevated streetwear with technical performance, underpinned by the minimal sensibility intrinsic to Victoria Beckham’s aesthetic.
“Every time I launch something new, it’s because it’s something I want in my life,” Beckham says at the New York shoot for the campaign. “I’ve wanted to put a trainer in my collection for a long, long time, but it’s something that’s very specialized—I had to do it with a brand that had the technical experience and the know-how.” The result is fashion-forward in the extreme: Available in sunset orange and a very Victoria Beckham shade of camel, it’s a sock style with a leg that extends several inches past the ankle and a logo that merges Reebok’s familiar vector with their collaborator’s VB most seamlessly.
The new collection for men and women is out now and it has been our favourite athlesiure fashion proposal for 2019.
n his debut show for Celine – now sans accent – in September, Hedi Slimane made it more than clear what his intentions are for the house. If anyone thought that some of the reactions to that show would have an effect on his vision, his first men’s show for Celine spelled out a big fat – or indeed very, very skinny – no. In fashion, as in life, there are certain forces that will make themselves heard. Slimane is one of them. He believes in his own vision to its utmost core: from the mechanical light installation that fanfares every show (this time it was a huge geometric ball) to the stick thin models that walk his runway (a new one turns 18 every minute), to the emerging rock bands that score his collections (the irreverently named Crack Cloud), and the vintage-inspired aesthetic that embodies his garments. No matter how deep you search, the ultimate proposal of any of his collections – and indeed the one he showed on Sunday night – is in essence the brand of Hedi Slimane.
Seasonal collections, however, are put in the world to propose something new for the immediate future. So how do you, as an observer of such collections, approach the work of a designer, who believes so strongly in a consistent point of view? You could read into Sunday evening’s Celine collection and say that it proposed a more cropped and roomier tailored trouser, or that its suiting evoked the tie-wearing Patrick Bateman yuppie dad tailoring of 1980s’ Valentino; only cut for a much, much skinnier frame. You could talk about the glitter and sequinned pieces, which were no doubt of a notable artisanal value. Or you could point out the obvious nostalgia – or was it wistfulness – that existed within the collection for the mid-2000s when indie music culture was at its high and everyone looked like the boys, who walked the 2019 Celine runway. What has to be stated – for the sake of the history books – is that Celine menswear, which didn’t exist under Slimane’s predecessor Phoebe Philo, was brought into the world looking like this.
find more on vogue.co.uk
Kim Jones did it again… and we loved every single look of this new DIOR Men collection for autumn/winter 2019 -2020.
He offered a remarkably refined vision of modern masculinity and here are some higlights to note before you check out the new collection:
After the enormous floral effigy of Monsieur Dior created by KAWS and the 39-foot tall Hajime Sorayama robot, this season he staged the show On A Conveyor Belt.
The Clothes Offered A Modern Vision Of Elegance.
The animal print will be the new men’s essential.
Raymond Pettibon Offered Up Punk Couture
“This time I wanted the clothes to be the statues,” said Kim Jones
It’s been 10 months since Kris Van Assche was appointed creative director of Berluti, departing the storied couturier Dior and setting up shop within a brand long-established not for its garments but, first and foremost, its “exquisite leather” and its handmade shoes. “Luxury takes time. I needed these months to understand Berluti and turn the page,” he reflected backstage. “It’s a totally different know-how: I come from a luxury house, but this is a different kind of luxury.”
Kris van Assche’s TRENDS proposals:
Scarlet - Hot Pink combination
Patinated leather on clothing ( even on suits)
Overcoats will always be … grey
Slim and skinny are the new lines on trousers.
Ponyskin is the next new thing on jackets and accessories.
Dries Van Noten has presented a selection of voices that accompanied his AW 2019/2020 collection—an aural backdrop of snatches of conversations and interviews with the men Van Noten admires. There was David Bowie, of course: his pleated pants, a flavor of his ’80s persona. There was David Hockney, talking about getting up mid-morning in California, and going out to see what’s around to paint.
There was a burst of Jimi Hendrix—cue a riff on tie-dye. Kurt Cobain, Andy Warhol, Francis Bacon, Yves Saint Laurent, David Byrne. And in the middle of it, there was the mordant voice of an Englishman, nailing the state of affairs today. “I think the whole of our society is run by insane people for insane objects," he said. Turned out to be John Lennon, in the ’60s.
The industrial grand hall of the Deposito, part of Fondazione Prada complex, has been transformed into an arena of light and shadows. Miuccia Prada is back at it again as she serves to us the fashion reality and she takes inspiration from old movies like Frankenstein.
When the collection itself appears, it follows suit. Black is the colour that dominates, highlighted by bursts of vivid coloured garments or accessories, such as multiple belts wrapped around the models waist, neon pink boots and bold red feathered headpieces and pale blue glasses that are reminiscent of scientific goggles.
Donatella Versace continues to draw from the archives of her brother Gianni, to transport the fashion house towards the future.
The group, gang, the Versace family becomes a pretext to tell stories of very different women, but all strong, brave, sexy and confident. While tartan is the symbol par excellence of belonging, Donatella Versace decides to blend together different eras and styles.
The leather bustier celebrates a 80s glamorous, pleated skirts and argyle sweaters are combined with punk and wasp and evening dresses are worn over the logo T-shirt in full DIY style
source: Vogue Italia
If you were around London Fashion Week Men’s last weekend ,you probably came across the super stylish model and influencer.
Posing for street style photographers or catching up with his fashionistas friends and followers, mr Richard Biedul always brings out a unique energy and image that you can’t ignore. He has been one of our favourites from day one and he made it once again this season with his notable looks.
Well-respected within the industry, with designer collaborations and guest appearances on runways and fashion events, the IMG model loves and supports London’s men fashion week from the very beggining as he has been part of it all the previous seasons too.
Another season without ''the big'' British names on the schedule and things were alright - again. Another opportunity for the young designers to 'shine' and attract the international media with their work.
Three days full of shows, presentations and parties…. and before Milan Fashion Week here are the higlights from day 2 & 3.
Women presented menswear in Mullins’ AW19 show which was one of our favourites.
Mens pieces became Gender fluid in terms of styling with denim and tailoring being the key elements of the collection. The colour pallete consists of blue, yellow, oatmail and graphics in red and black details.
Mullins said his starting point for the lineup happened on his way home one night, when he saw woman getting out of a car wearing a yellow mohair scarf and a coat, except it turned out “it wasn’t yellow mohair, it was just her hair and her jacket was just a really s—t, old shirt.”
Streetwear meets luxury fashion in Astrid Andersen with blue, red and orange being the main colours of the AW19 collection. An exploration of the classic male silhouette and the pin stripe tracksuit, the Autumn/Winter designs are an ode to 1920s’ American fashion, a step away from the label’s previous inspirations. However, despite its new unexpected design, Andersen remains comfortably rooted in the materials used in even her earliest collections, in particular her signature combination of lace and fur.
In a celebration of artisanal making and craftsmanship, the designer showcased his signature expressive draping techniques, as well as a unique take on deconstruction. Relaxed silhouettes – as seen for instance in a double-breasted Prince of Wales check blazer with crisp white cuffs peeking out from the sleeves – exercised both precise construction and soft tailoring. The colour pallete was in soft tones with apricot, dusty lavender and off white being the main colours of the collection.
A very thughtful but playful collection which came from the future for the future. From prosthetics used on models from ‘alien’ eyes to bionic components the Xander Zhou AW19 was the favourite one on instagram.
The clothes were a beautiful paradox too – modern men accessorising with flippers and furry feeding bottles to engineers donning 70s-esque polonecks. The collection overall has a hopeful message, one of belonging. Accepting the ‘other’ is the future..
Eco-wools, tailored coats , utilitarian bomber jackets and velvet trousers were some of the statement pieces of the AW19 collection in OLIVER SPENCER show. The earth colours were on top with many blue tones too and the ‘eco-green’ on its best.
We loved the suits and all the tailoring he proposed like every season with the Royal Academy as the show venue being one of our fevourites this year.
FENG CHEN WANG
History and heritage permeates the AW19 FENG CHEN WANG collection through the symbolism, iconography and painting with brush strokes, turning her artistic ideas into design prints and forms. In a collection of 41 looks, Fend Chen Wang’s textures and palettes are as pure as the story their telling – from pale pastels to soft fabrics, there was bold tailoring to portray strength and oversized shapes to show creative power.
The autumn/winter 2019 edition of London Fashion Week Men’s kicked off yesterday in its new home at Brick Lane’s Truman Brewery. Our style editor Martina Ghia and fashion journalist Stephen George have taken over our social media for the weekend and here are all the highlights from DAY 1:
Day one showcased what London has become today: Upcoming and international designer names on the schedule with creativity and diversity on their best.
For Autumn-Winter 2019, Bobby Abley takes inspiration from his family and hometown of Scarborough, where he worked on the collection. Abley revisits his childhood; balaclavas, scarves and baby blankets are all replicated, hand knitted by his mother (and other relatives) and incorporated within the collection as one-off pieces. The family team of knitters also created cardigans and jumpers in fluorescent colours – a palette which recurs throughout the collection. The rest of the colours in the collection are inspired by Abley’s favourite characters from Pokémon.
90s and modern sport wear references were the main characteristics of ICEBERG AW19 show. Mickey became the protagonist of the apres-ski style of the collection which have been combined perfectly with the bold colours and the british punk references on grooming and styling.
JOHN LAWRENCE SULLIVAN:
Live music from London indie group Wild Daughter, a plethora of leopard print and heavy leather trench coats and trousers were some of the John Lawrence Sullivan’s fashion elements during his underground AW19 show. Strong textures and bold colours have been combined to create the new contemporary menswear.
Amidst the current uncertain political and social climate, Qasimi’s urban nomad travels to the near future with a vision of hope within a utopian landscapefor autumn/winter 2019.
Utilitarian sportswear, bold colours with burgundy as the protagonist and protective layering are the three main trends that Qasimi is proposing for the next winter.
Concluding Day 1 it is worth to mention the British emerging talents who turned into tailoring with a twist for next winter.
CHARLES JEFFREY LOVERBOY
From bucket hats to hiking boots, and from extra large shoulders to superlative layering, these are the Autumn Winter trends to know about.
Sportswear is well-anchored in this new fashion vocabulary, but this season it made way for a few fashion foibles and chic accents ( thank God, tailoring is coming back!).
Street style is not as strong as last year but the 'logomania' trend is here again and this time is more bolder than ever. After all the new and upcoming brands 'stealing' the top positions of the fashion industry last year, now the big Fashion Houses are assuming the style heritage that they rejected for so long. Go loud with all-over print, or go home.
A symbol of hopes and dreams, the wide plains of the American West are a seemingly inexhaustible source of inspiration for designers across the fashion capitals. From Raf Simons to Calvin Klein and Dries Van Noten the winter collections are proposing the style of the 'modern cowboy'. All you need is camel or earth colours, jeans, cowboy boots and your shearling jacket and you are ready!
80s have been in our memories as the years with the most fashion statement looks. Extravaganza womenswear and more bold and androgynous menswear than ever. That was the decade when Mr Armani took over menswear and shoulders got wider... and wider. Today’s times recall a little of the same ambiant zeitgeist that pushed designers to create jackets and coats with shoulders that were ever wider.
"Fashion armour for an uncertain world."
Demna Gvasalia did it again... Balenciaga and Vetements ''were doing the most!'' with superlative layering and really similar looks on the runway, supporting Demna's unique street style aesthetic. A kick in the teeth for global warming and tension around the world, or simple seasonal styling? You decide.
From Prada’s archive flame print revival, to rebel skulls at SSS World Cop and Wales Bonner’s sensitive motifs, the print shirt will run and run through next winter. Refreshing and definitely something new for a winter season.
Sequins and metallic are back again but this season all the midnight glam becomes 'a man thing'! Dolce & Gabbana, Gucci, SSS World Cop and Balmain have already shown the way - you only have to find your favourite now...
We have to admit that this winter is full of new entries when it comes to trends. Some others that we love at REY and you will definitely see in our next editorial stories are the Fetishism of Moschino, the new Tiger print addiction and the Space Fantasy ( see Heron Preston or Undercover).
Pictures belong to Voque Homme