Under the direction of Louise Trotter, Bottega Veneta strips luxury back to instinct. For Spring 2026, clothing is no longer treated as precious—it simply exists, worn with ease, without performance.

Captured through the lens of Juergen Teller, the campaign rejects polish in favor of something more immediate, more real. Model Saul Symon moves through the frames with an almost indifferent elegance, embodying a man who wears luxury as if it were second nature.

In one image, he stands beside a headless garden statue, wrapped in an oversized leather trench layered over a chalk-stripe suit. A yellow Intrecciato woven bag rests casually at his side—less a statement piece, more an afterthought, carried with the nonchalance of a daily errand.

Elsewhere, the mood shifts but the attitude remains. Surrounded by bare rose canes, Saul appears in an overshirt cut to the knee, paired with matching shorts in a single, uninterrupted tone. The look is so resolved in itself that color ceases to demand attention—becoming instead something felt, not noticed.

With this campaign, Bottega Veneta proposes a quiet radicalism: luxury not as spectacle, but as habit.