The exhibition features four installations, in which Colen continues to appropriate and subvert imagery from the globalised mass media and American subcultures. In these installations, Colen’s examinations of masculinity and individuality are brought to the fore. The bloated, spent machismo of the American Dream is laid bare to reveal a deep-seated existential unease.
On the occasion of the exhibition, Colen states: “This show is the first time I’ve been able to present the full range of my work and the wide-ranging ideas, crafts, materials, technologies and processes that I engage with. The earliest piece in the exhibition was begun eleven days before 9/11 and the exhibition follows my intuitive trajectory over the last fifteen years, which has allowed me to consider the transforming power of art when it’s experienced in different moments and contexts. It also creates a perfect space for the viewer to settle in on my interests, which are sure but can be meaningless, often formless, striving for the inexplicable; which can be most felt in the negative spaces, the cracks, the holes and barely perceptible lines that are always there connecting all seemingly disparate things.”